I am finally
taking a breath after the long Labor Day weekend and work week to share some
thoughts from this year’s DragonCon. For
the second year, I braved the crowds of avatars, wookies, Klingons and Death
Eaters at one of the country’s largest sci-fi conventions to hear from some of the
best genre writers in young adult and fantasy. Here’s just a few of the folks
who made an impression this year.
Carrie Fisher
"I was
never that great of an actor."
Carrie shared –
with self-deprecating wit – what it was really like playing the iconic Princess
Leia (“it was cool being the only girl”), being engaged to Dan Akroyd and her at-times strained working relationship with director George Lucas, who she later collaborated with as a
co-writer on “The Young Indiana Jones Chronicles.”
In her
bestselling memoir and one-woman show, Wishful Drinking, Fisher said, "George Lucas ruined my life." Her disgust with her Star
Wars costumes (including having to wrap her breasts) are well documented, with
her least-favorite being the infamous metal bikini in Return of the Jedi.
"When I laid down, the metal bikini stayed up, so Boba Fett could see all
the way to
Fisher played
off the energy of the standing-room only crowd of fans, who heard her talk
candidly about her struggle with bipolar disorder. Many fans thanked her for
her openness, sharing that they, too, struggled with the condition.
Sherrilyn Kenyon
“I can’t write when it’s quiet – absolute silence makes me insane.”
“I can’t write when it’s quiet – absolute silence makes me insane.”
So says the
Dark-Hunter series author, speaking on a New York Times bestselling author tell all panel,
fresh from signing a movie and TV series deal earlier this summer (look out,
True Blood fans). The prolific author has made the #1 spot on the New York Times bestseller list 16 times in the last three years. She told fans during the panel that she writes about 100 pages a day.
She says making the the New York Times Bestseller List doesn’t change your life overnight. She had to work all types of jobs on her way to literary fame and found herself homeless with an infant even after writing six
bestsellers.
In chatting with the author as she signed my copy of her newest book, Retribution, I asked her about the cable TV deal for her Dark-Hunter Series. No news yet on the lucky network that will take on the book series; however, fans can rest easy knowing that Kenyon will have a say on the adaptation since she will be a producer.
Charlaine Harris
“The most
important message is tolerance.”
That’s what the
author hopes readers get when they read her Sookie Stackhouse novels, which are
the inspiration for HBO’s True Blood series.
She deliberately writes about characters with different sexual
orientations for this reason.
During the True Blood Q and A she said how glad
she is that fellow southerner Alan Ball got the job directing True Blood. “It’s like they took my book and gave it
steroids,” she says of the HBO adaptation.
Later, during the New York Times
Bestselling author panel, Harris opened up about her addiction to Facebook
(“it’s a terrible use of a writer’s time”) and her daily routine as a writer,
saying she writes every day and doesn’t clean her house anymore but still does
her family’s laundry. Her guilty
pleasure? Watching Project Runway.
She takes her writing deadlines seriously
(“getting paid is a huge inspiration to me”) and recalls being late once –
after her mother died.
Michael
Stackpole
“Think bigger
than one story.”
![]() |
| Aaron Alston and Michael Stackpole. |
That was
Stackpole’s advice to writers during one of the more popular sessions in his
hourly Writer Workshop delivered over 14 hours with fellow New York Times
bestselling author Aaron Allston. (Stackpole has said in a recent blog post that he and Aaron are returning in 2012 – this is GREAT news to writers who
want to further their craft).
The session I
attended, “Writing Careers in the Post-paper Era,” gave attendees an update on
the growing E-book market for novelists, noting that the battle between
traditional and digital publishers is not about sales, but about “control and
access to audiences.” Stackpole urged people to write in packages that are
friendly to consumers – instead of a 120,000-word novel, think in terms of
three smaller 50,000-word novels. Instead of focusing on a single story, think
about developing “a property” where you can tell more than one story in that
world. “Series sell. They breed loyalty
– we always come back to them,” he says.
I will write more about Stackpole’s presentation in a future blog post.
Aaron Allston
“Die adjective,
die!”
Allston – not
unlike Ernest Hemingway – sees little value in adjectives or adverbs for
serious writers, calling them “insulating layers,” that do anything but give
the reader a sense of the experience being described. The phrase used to
describe this practice is “purple prose.” He urges writers on their first
editing pass to “look at every adjective and adverb and strike most of them
out.”
Allston shared other advice during
his workshop session -- from the role of pacing to balancing exposition with
dialogue to tell a story memorably. He advises writers to match the length of
description to what their character sees.
He also says that you can fill in descriptive passages later after the
first draft is crafted. “Backfill
motivation, description and foreshadowing. Vastly limit
adjectives and adverbs. Participles are not good. Use active verbs. Keep it
simple. Keep it short. I am for transparency – don’t be too stylized."



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